Look at that Mix!
I’ve always been interested in watching other audio engineers manage a mix… Hands off? Hands on? Calculated? Herky-jerky? Hopefully you can get a sense of the mix style I employ at Church on the Move by watching just how little I try to “fiddle” with a mix in progress.
To me, consistency in a mix is of utmost importance and a trait that can serve the listener in one of the best ways possible. Unfortunately, too many engineers don’t let the mix breathe and they spend far too much time messing around (“fiddling”) than working to subtly keep it all together. Sometimes I almost feel that my mix style is “managing” inputs and sounds coming my way rather than mixing them.
Here are a few nerdy details for what you are looking at:
- I’m mixing on a Solid Stage Logic L500+ platform with a Remote Expander. All effects, processing, and preamps used on this mix are from the SSL…nothing external.
- dB measurement is shown in a quick screen grab I made of my Smaart window. dB level is measured as A-weighted at a 1 minute average time response. The green trace is what’s happening in the room, the blue trace is what’s sending from the console, and the tan trace is a static average that indicates the basic room curve.
- To clarify: this is the final mix of a normal weekend service: a combination of the SSL stereo board output, (2) Earthworks M30 audience microphones, and (2) AKG 414 room microphones.
- Nothing done in post. All of this was recorded live in real-time as described above. For more info on how and why I do our final broadcast mix in this manner, check out this blog: Live Recording Overview.
There are many points of view on live mixing and recording but I prefer to let the results speak for themselves. Enjoy the rock.